The Icelandic Canadian - 01.03.2004, Blaðsíða 8

The Icelandic Canadian - 01.03.2004, Blaðsíða 8
102 THE ICELANDIC CANADIAN Vol. 58 #3 can only be termed “sloppy research”. Getting acquainted with historical fact and assessing the reliability of sources, after all, require some level of skill and commit- ment, and as often as not, writers for com- mercially driven cultural projects are engaged without any prior knowledge of a specialized subject area. Unfortunately, this approach to history is invariably cou- pled with a conspicuous absence of consul- tation. In this way, for example, a recent popular history of Lake Winnipeg rolled off the press with scores of glaring errors in the few pages on Icelandic settlement. Apologists for historical pulp of this kind go so far as to claim that “the facts” don’t really matter, as “no-one knows the difference” (or presumably cares). Some even voice the opinion that real history is boring. History is simply “whatever you make it”. Hence quasi historical works using the names of real people and direct reference to actual events - prefaced with disclaimers that “this is not history”, as if to absolve the writers of responsibility! What, then, of the real people whose words, motives, and reputations are mis- construed and misrepresented for posteri- ty? There is also a growing trend among academics and writers of popular history toward “historical revisionism”. While revision in history is often both good and necessary, in the “publish or perish” world this approach, sometimes assumes charac- teristics of the same witch-hunt mentality and tunnel vision that plagues media jour- nalism. In climbing onto the “revisionist” bandwagon, many writers unfortunately lose their objectivity and become caught up in attempts to make history “sexy” by cre- ating a “hook” or exploiting an “angle”. Historical revisionism is fraught with perils that challenge even the serious researcher. Too often this approach relies on huge assumptions made about complex situations long after the fact, frequently with only shreds of inconclusive informa- tion and usually in the absence of anything approaching real perspective or under- standing. Without the intimate and exten- sive knowledge necessary for real insight, and in the interest of promoting a particu- lar agenda, “revisionists” tend to be highly selective in their treatment of sources and their reconstruction of “the truth”. As a result, both premise and conclusion are often flawed or altogether specious, reflect- ing to a greater degree the writer’s own inexperience, mindset, and personal/acade- mic agenda than those of the historical fig- ures and events in question. Individuals of long ago, it must be remembered, were shaped by circumstances and beliefs virtu- ally unknown to most people raised in con- temporary urban society. Is history worth getting right? In the context of our own small “community”, our long-standing penchant for history, education, and scholarship places a high priority on historical accuracy - notwith- standing our equally well-known love of folklore and storytelling. “Mythology” and other theoretical musings notwithstanding, it is the responsibility of anyone presuming to present, interpret, or revise our history to make the utmost effort to get the facts - and to get them right. Conversely, sweeping and unsubstan- tiated presumptions about highly individ- ual and complex aspects of the human psy- che - such as values, attitudes, and collec- tive conscience - should be avoided as potentially untrustworthy, prejudicial, and unjust. Readers of this issue would do well to bear this in mind. In a perfect world, writers of history would steer clear of the pitfalls and tempta- tions that contribute to the proliferation of historical “lies” in our midst - whether under the guise of “mythology”, “miscon- ception”, “popular history”, or “academic treatise”. After all, the historical legacy of the Icelandic people in Canada - while not without its dark aspects - is sufficiently rich and blameless that it requires neither embellishment nor apology.
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