Árbók Hins íslenzka fornleifafélags - 01.01.1996, Side 37

NOKKRAR KYNSLÓÐIR KIRKNA
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ÞJÓÐMINJASAFN ÍSLANDS, REYKJAVÍK (Þjms.)
Bréfasafn Sigurðar Guðmundssonar málara
Þjms 56: 02: 53
12.júní 1874
PRENTAÐAR HEIMILDIR OG RIT
Alþingisbœkur Islands I- VIII. Útg. af Sögufélaginu. Reykjavík 1912-1955.
Aimálar 1400-1800 I- VI. Gefhir út af hinu íslenska bókmenntafélagi. Reykjavík 1922-
1961.
Biskupasögur I-II. Gefnar út af Hinu íslenska bókmenntafélagi. Kaupmannahöfn 1858-
1878.
Busquets, P.M.: „Monastic art and architecture." New Catholic Encyclopedia IX. New York
1967,1023-1031.
Cinthio, Erik: „Korstolar." Kulturhistorisk Leksikon IX. (1964), 203-210.
Hauglid, Roar: Norske stavkirker. Bygniiigshistorisk bakgriinn og iitvikling. Oslo 1976.
Hjalti Hugason: „Kristnir trúarhættir." Islensk þjóðmenning V. Reykjavík 1988, 77-339.
Horskjær, Erik: „Kloster." Kulturhistorisk Leksikon VIII, (1963), 527-538.
Höröur Agústsson: „Húsagerð á síðmiðöldum." Saga Islands IV. Reykjavík 1989, 261-
300.
Hörður Agústsson: Skálholt. Kirkjur. Reykjavík 1990.
Hörður Agústsson: Skálliolt. Skriiði og áliöld. Reykjavik 1992.
Islcnskt fornbréfasafn. Diplomatariuin Islandicum I-XV Kaupmannahöfn og Reykjavík 1857-
1951.
Islandskc Annaler indtil 1578. Útg. af Gustav Storm. Christiania 1888.
Jacobus deVoragine (ca 1229-1298): The Golden Legend. Readings on the Saints, vol.II.
Transl. by William Granger Ryan. Princeton 1993.
Katalog over den Arnamagnœaiiske hándskrtftsamling I. Útg. af kommissionen for det Arna-
magnœanske legat. Kaupntannahöfn 1889.
Mageroy, Ellen Marie: Planteornainentikken i islandsk trcskurd. En stilhistorisk studie I—II.
Kaupmannahöfn 1967.
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una. Reykjavík 1946.
SUMMARY
A Benedictine monastery was founded in 1155 at Þverá in Eyjafjörður, north Iceland.
This gave rise to the place-name Munkaþverá („Monks' Þverá“). Few written sources
exist referring to the buildings on the site from its foundation until the Reformation.
The earliest written sources which mention the monastic complex date to around 1526,
only 24 years before the Reformation took effect in the see of Hólar.
The documents from around 1526 suggest that the church had a cruciform plan with
a sacristy and an extra chapel. Its interior decoration was very elaborate with three or
perhaps four altars in addition to the main altar and several dozens of sculptures and
paintings of saints.