STARA - 01.09.2014, Síða 7

STARA - 01.09.2014, Síða 7
S T A R A 1.T B L 2 0 14 7 What are your upcoming projects? My upcoming projects are “happening” based, starting with a motorcycle performance and live film mix screening in Gallery Foe 156 in Munich, an ongoing project by German artist Gabi Blum. On the 8th of August I will be doing a performative piece at Kunstraum Muenchen, further investigat- ing the aesthetics that were first seen in my recent performance at Kling og Bang. After that I embark on a mini-tour through Germany and Holland with several performance happenings alongside three other artists in a camper bus. We decided if bands can tour, so can we! How important is it to you to have a studio? I can’t make concentrated work without a studio. For me it is important to have a space that I go to on a regular basis, even if I’m not preparing for a show. Similar to a writer who sits at his typewriter 4 hours a day whether or not he is writing a novel. It is the space that holds your creative energy and you can enter more quickly into that mindset by making it a part of daily life. A controlled chaos that you don’t have to clean at the end of the day. Where you can experiment with ideas and throw them into a corner for later dates. In the last 14 years I’ve worked in a studio for 13 years. Studios of all shapes and sizes and atmospheres. I work best in a space that is well lit, has a community but also the privacy of a locked door, and is somewhat industrial or character-less in form. Describe your studio: Messy, colorful, dynamic. Crammed with boxes, notebooks, plastic flowers, dead animals, film reels, tools, records, costumes, cameras and old works. What are your goals in art? My only goal in art as in life is to never get stuck. If you find yourself stuck in a cycle of repeat, then make something out of it or make it a spiral. REBEKKA ERIN MORAN SELJAVEGUR 32THE STUDIO From the per for mance “S creen tes t” 2014 , Kl ing and Bang gal l e r y

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