Reykjavík Grapevine - 29.07.2016, Side 34

Reykjavík Grapevine - 29.07.2016, Side 34
HarpaReykjavik harpa.is B ra n d e n b u rg | SÍ A Guided tours daily Take a look around Harpa — Reykjavík Concert Hall and Conference Centre Austurbakki 2 101 Reykjavík Iceland 11:00, 13:30, 15:30, 17:30 isk 1.950 Open every day 08:00 – 24:00 Words HREFNA BJÖRG GYLFADÓTTIR Photo ART BICNICK Since the release of his third solo album ‘Vagg & Velta’, Emmsjé Gauti has been packing venues and selling out of merch. Catch the phenomenon for yourself at Innipúkinn Festival, Iceland Air- waves and more. Here are his thoughts on ‘Vagg & Velta’: “Busy” ft. Dóri DNA (produced by Logi Pedro) There was this one studio session where my phone wouldn’t stop ring- ing and I was constantly being asked to perform. I’m not complaining, I love being busy but that’s how the chorus “I’m too busy, call my manager” came to life. Dóri DNA recorded a verse as a joke but when Logi and I heard it, we liked it so much we decided to keep it. “Fíla þig” feat. Unnsteinn Manuel (p. Joe Frazier) This is probably the most poppy song on the album. It’s about vampires, making out, candle light, coconut oil and Vesturbær. Unnsteinn has such a beautiful voice so I had to include him on the album. It’s a bit like we’re sing- ing a love duet to one another, which it’s fitting because I love Unnsteinn. “Ómar Ragnarsson” (p. Joe Frazier) I pitched the product placement “Tjékkaðu bísinn mafakka, ég tek lýsi mafakka” (“check this bicep mother- fucker, take your Lýsi motherfucker”) to the marketing department of Lýsi. It didn’t work but I will demand a high five from Þorri Þorskur at some point. It wasn’t my weirdest meeting actual- ly. Once, I had a meeting with a phone company where I tried to sell them a million copies of my first album. The song is named after Ómar Ragnarsson because he’s always in a good mood like me. “Reykjavík” (p. Björn Valur) Björn Valur is the guy usually stand- ing behind the DJ table while Úlfur Úlfur or I perform. He sent me a beat, which I listened to on the way to his house. It’s a five-minute walk and when I arrived I’d already finished the chorus and first verse. “Djammæli” (p. ReddLights) “Strákarnir” had just been released and quickly become extremely popu- lar. I got a fever all of a sudden and called my mom. I always call my mom when I get sick and it inspired the lyr- ics in the song. “Stormur” ft. Bent (p. Helgi Sæmundur) This was a collaboration I’d dreamed of for a long time. Bent came up with the idea that we’d take turns rapping every four lines, a technique popular many years ago. We wrote the song at Íslenski Barinn where we took turns writing. Bent has a line so crude, I can’t even say it out loud. “Strákarnir” (p. Auðunn Lúthersson) When I heard this beat, something clicked. I wrote it in half an hour and recorded it with Logi Pedro the day after. I remember so clearly asking Logi what he thought and him saying he liked it but wasn’t sure it would become a hit. Some songs need to be digested and this one is definitely one of those. “Loftsteinn”’ (p. Auðunn Lúthersson) After having released “Strákarnir,” Auðunn and I met for coffee and creat- ed another song. The chorus was ready and we were convinced it was fire. The verses however weren’t as quick. In fact it took me such a long time to write them, I almost gave up. In the end it all came together though and it’s one of my favourite songs today. “Pappír” (p. Björn Valur) The world revolves around paper. I wish I could live in a world without paper, but it does provide opportuni- ties. I’ve used many different methods in order to obtain paper, some not very smart methods. This song is mostly about paper. “Frumskógur” (p. Björn Valur) I sat in the windowsill of Prikið and looked over the dance floor. I got a bit scared because I saw lions, hippos, hyenas and monkeys. It was like I’d put on jungle shades. “Frumskógur” (“Jungle”) is about drinking culture and bootycalls. “Bitur” ft. Gísli Pálmi (p. ReddLights) Gísli Pálmi and I last made a song to- gether ten years ago. It’s called “ego- trippin” and can be found somewhere online. There wasn’t really a reason why we didn’t work together for such a long time but now suddenly felt right. “15.000” ft. Úlfur Úlfur (p. Joe Frazier/Reddlights) This is the 15,000th song I’ve created with Úlfur Úlfur. It features fun lyr- ics, which put smiles on our faces. The chorus is about us making love with the devil after good flirting. “Silfurskotta” ft. Aron Can (p. ReddLights) I sat on the toilet when I saw a silfur- skotta (silverfish) run by me. I thought to myself that I was like the silverfish, but pretending to be a golden boy in between. This is my favourite song from the album. SHARE: gpv.is/tbt10 TRACK BY TRACK Music 34The Reykjavík GrapevineIssue 11 — 2016 ‘Vagg & Velta’ by Emmsjé Gauti www.berjadagar-artfest.com Miðar/Tickets: midi.is og við innganginn Föstudagur/Friday Söngtónleikar 20:00 kirkjan Laugardagur/Saturday Barnatónleikar 15:00 Pálshús Laugardagur/Saturday Sellótónleikar 20:00 kirkjan Sunnudagur/Sunday Berjamessa 11:00 kirkjan Sunnudagur/Sunday Lokakvöld 20:00 Tjarnarborg Þórunn Elín Pétursdóttir, sópran Sólveig Anna Jónsdóttir, píanó Guðmundur Ólafsson, leikari Ólöf Sigursveinsdóttir, selló Kjartan Guðnason, slagverk...o.fl. Jón Þorsteinsson, tenór o.fl. Sérstakur gestur á lokakvöldi: Hanna Þóra Guðbrandsdóttir, sópran Tónlist eftir: Báru Gríms, Tryggva Baldvins, Hafliða Hallgríms, Haydn, Mahler, Bach, o.fl. music festival in Ólafsfjörður Hátíðin er tileinkuð minningu Sigursveins D. Kristinssonar, uppeldisfrömuðar og tónskálds 12.|13.|14. ágúst 2016 C M Y CM MY CY CMY K

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