Reykjavík Grapevine - 17.07.2015, Page 51

Reykjavík Grapevine - 17.07.2015, Page 51
The Nordic House Reykjavík is a vibrant Nordic cultural institution with exhibitions, a library, shop and one of the best restaurants in Reykjavík, Aalto Bistro. The building is designed by the internationally acclaimed finnish architect Alvar Aalto. Open everyday from 10–17 Visit www.nordichouse.is for more information. Book a table: www.aalto.is Sundays – wednsdays 11–17 Thursdays – saturdays 11–21 The Nordic House Sturlugata 5, 101 Reykjavík Tel: 5517030, www.nordichouse.is Enjoy food Enjoy books Enjoy culture Enjoy the Nordic House Norræna húsið The Nordic House THE HOUSE AT EYRARBAKKI Opening hours: May 1st - September 30th daily 11.00-18.00 or by an agreement Tel: +354 483 1504 & +354 483 1082 | husid@husid.com | www.husid.com Árnessýsla folk museum is located in Húsið, the House, historical home of the Danish merchants built in 1765. Húsið is one of the oldest houses in Iceland and a beautiful monument of Eyrarbakki´s time as the biggest trading place on the south coast. Today one can enjoy exhibitions about the story and culture of the region, famous piano, shawl made out of human hair and the kings pot, are among items. Húsið prides itself with warm and homelike atmosphere. The House at Eyrarbakki E L E G A N T P R E M I S E S I N T H E H E A R T O F R E Y K J A V I K B R U N C H - L U N C H A N D D I N N E R M E N U - L O C A L A N D F O R E I G N D I S H E S - B A R B A N K A S T R Æ T I 7 A - 1 0 1 R E Y K J AV Í K - T E L . 5 6 2 3 2 3 2 The festival has grown more profes- sional, with a more slick sound system, great lights, a large festival tent outside with merchandise and numerous food options. Media are also given lanyard passes and have access to a VIP lounge where they can watch the bands and throng of people, and I see some of the bigger bands are getting a few goodies, too. The festival is now a mainstay of Icelandic cultural life, each time bring- ing in more and more people. This year in particular, I see more fresh faces than in my two prior outings, a growing village of tents rapidly filling the camp- site grounds. And yet, sitting in that old court- yard where I used to hang with the other festivalgoers, I can’t help but reminisce about times gone by. I miss stepping out of a gig and seeing the bay that stretches as far as the eye can see, and the mountains that rise up through the clouds, looming ominously over the town. Two years ago I interviewed numer- ous bands that all shared a similar con- cern: fear that the festival would grow too big, that it would lose its identity and charm. They were afraid that this haven for metalheads, where nobody wanted to be a dick, was in jeopardy. Eistnaflug used to be a place where the backstage area was right by the courtyard, where bands would hang out, have a smoke together with the fans, and share their thoughts on the upcoming acts. Fandom was the name of the game, and everyone partook. The new venue looks and sounds slick. But it also feels sterile. There is no grittiness. It feels like a festival. It’s understandable, and if anything, good news, that the organisers strove to bring the festival this year to the next level. With the older venue, fewer tick- ets could be sold, bigger acts couldn’t be booked, and the streams of revenue were limited. Despite all of these meanderings and doubts, I still had a fantastic time. Yes, it was clean, and big, but it was still Eistnaflug and people found a way to bring the old vibe back. The square may be in disuse, but other spaces have been occupied, and no doubt years from now the fans will miss their new hangout spots when the festival upgrades again. Change is inevitable, yes, but not all change is bad. This article originally appeared as part of the Grapevine's live cover- age of the festival. Read the rest of the reviews on grapevine.is. OUTSIDE FESTIVAL Eistnaflug: Change Is Inevitable www.secretsolstice.isSitting out at the old courtyard by Egilsbúð, Eistnaflug’s former venue, it’s strange to reflect how far this festival has come. Ten years ago it was just a few guys fooling around, playing music together and drinking in Neskaupstaður, Iceland’s easternmost settlement—now it’s a festival that attracts big international bands like Behemoth and Carcass, and it completely fills out the new sports hall venue. Words Gabríel Benjamin Photo Johanna Persson 7

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