STARA - 01.09.2015, Page 39

STARA - 01.09.2015, Page 39
S T A R A n o .4 2 .T B L 2 0 15 39 Kristinn E. Hrafnsson, “Place for a great view but litt le im- agination (homage to K.G.)” Beech, mahony, stainless steel and coat. 2001. Photo RAX on the other. The architects must have realized the importance of the environment since the west side of the house has large windows displaying the na- ture of Grótta and the view of Faxaflóinn. Since it is near impossible to compete with such a sight, the exhibition instead works in tandem with both the land and the sea. The photographs of Ragnar Axelsson play a large role here, showcasing daily life in the north of Ice- land. On the floor is an old, worn rowboat, and a TV screen showing Kristinn E. Hrafnsson rowing a sim- ilar boat in and out of frame, has been placed in be- tween the photographs. All of this is echoed by what can be seen from the window, an Icelandic landscape at the seaside. Kristinn has two other works in the exhibition; a silkscreen print, and a small installa- tion by the window where he has placed a chair with a coat draped over the back. The work faces out and is a humorous acknowledgement of the fact that na- ture is the sixth artist in this exhibition. Svava Björnsdóttir on the other hand, engages in a dialog with the house, placing small, yellow paper sculptures on the wall so at first glance they look like unconnected power sockets. Ívar Valgarðsson exhib- its an unusual watercolour; a strip of paper, 30 me- ters long, which he has painted blue and scrunched up into a giant ball, accompanied by a video where he can be seen blowing ripples onto the surface of coloured water. Indeed, water is the source of yet another conversation in the exhibition where last, but not least, we have Finnbogi Pétursson’s work where he uses sound from three speakers to cause ripples onto water which are then reflected as dancing light on the wall. Finnbogi first exhib- ited a similar work at the Living Art Museum in 1991 but has since developed it in various ways and exhibited all over the world. The work is like an ever-changing, mesmerizing painting – created by sound, water and light – and a perfect contribution to this reflective exhibition. It is difficult to put up an exhibition in a house like this, while competing with the view, but the cura- tors and the five experienced artists have managed to turn such a disadvantage into an advantage, thus expanding the exhibition and the works so that they come together in glorious harmony.Svava Björnsdóttir Solar Plexus , plaster and paper. 2015. Photo Spessi

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