Gripla - 01.01.1977, Side 17

Gripla - 01.01.1977, Side 17
JOURNEY TO THE NJALA COUNTRY 13 ed into the saddle’, and that when the brothers rode over the river flats after the killing, they rode fast, and Gunnar then ‘leapt off and landed on his feet’. The saga-writer would undoubtedly have considered it undignified for Gunnar to fall off his horse. Heroes do not fall off. 3) The third point is the cause of Gunnar’s turning back. In the verse said to have been spoken by him in the burial mound there is the de- claration that he chose rather to fall before his enemies with weapon in hand than yield; as in the case of Gunnar and Högni, the Burgundian kings. But in the actual account of his turning back it is assumed that he was overcome by love for his native district and its beauty. ‘Fogr er hlíðin’ (fair is the slope) are his words in the saga. It may well be sup- posed that here we have a case of two divergent opinions regarding the incident, but to me it seems more likely that the author envisaged a mixture of feelings. Such occurs frequently in the saga. It is likely, too, that here we have echoes from an incident in Alexanders Saga. King Alexander has sailed eastwards over the ocean to Asia, which he intends to conquer. At daybreak he climbs a high mountain, whence he surveys the land. There on every side he sees fagra vgllu, bleika akra, great forests, flower-gardens, fortresses, strong cities. And as the king surveyed all this fairness (fegrð), then spoke he thus to his chosen band: ‘This kingdom, that I now behold, do I intend for myself. But Greece, my patrimony, will I now give up to you,’ said the chief, and so did he now trust in his fortune that it seemed to him as though this lay at his disposal. The words of Njála: ‘Fogr er hlíðin, svá at mér hefir hon aldri jafn- fggr sýnzk, bleikir akrar ok slegin tún, ok mun ek heim ríða ok fara hvergi’ are very remininscent of the text of Alexanders Saga. The two narratives are linked here by the words fggr . . . fogr, and bleikir akrar, but at the same time it should be noted that whereas Alexander talks of planes which he sees looking down from the mountain, Gunnar looks up to the slopes and farm at Hlíðarendi. Alexander has left home and gives away his patrimony; Gunnar turns back homewards and rejects all that other lands may have to offer him. His homesickness is obvious. Both heroes express a sense of beauty, but Gunnar’s is purer, being unmixed with any desire for wealth and possessions.
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