AVS. Arkitektúr verktækni skipulag

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AVS. Arkitektúr verktækni skipulag - 01.12.2003, Qupperneq 42

AVS. Arkitektúr verktækni skipulag - 01.12.2003, Qupperneq 42
 * jígííP w. f' access is provided to the various departments of the museum: a work- shop building and the largely self- contained exhibition spaces, cover- ing a total floor area of roughly 2,600 m2. In the basement of the new building, a connection has been cre- ated to the existing armoury in the form of an escalator cut into the middle of the north wing of the Baroque structure. A further linking corridor at ground floor level leads to a square courtyard known as the Schluterhof. The limited site area made it neces- sary to lay out the exhibition over four storeys, each of which can be reached from the glazed hall via stairs of different design. A gently-ris- ing, spiral staircase above the glazed rotunda of the entrance links the first and second floors. This structure is of „outstanding“ significance, not only in terms of its design, but because it is the only part of the building that can be seen from the historical avenue Unter den Linden. In 1998, during the early stages of the planning, I. M. Pei’s office con- tacted the internationally famous Finnish glass-making firm Tambest Oy. The feasibility of manufacturing the three-dimensionally curved panes of glass was clarified on the basis of design sketches. From the various types and qualities of glass produced by Tambest, Pei chose an iron-oxide variety for its special brightness and transparency. This came closest to his vision of a crystalline construction material. Tambest was also able to produce glass with special cusva- tures for this project. The staircase facade changes from level to level. On the ground floor, it is in the form of a truncated cone. This skirt-like structure, rotating about a vertical axis and splayed inwards at an angle of 10°, confronted both the glass workers and the frame construction team with a great challenge. Every pane of glass in this section is cus- tom-made and required its own indi- vidual mould. The moulds had to be made of steel resistant to high temperatures. According to the plans, the prefabricated panes had to be placed on the moulds in pairs horizontally. A special powder mould-release agent was used to prevent the panes fusing together during the bending process, when the glass is heated to 600 °C and slowly assumes the form of the mould. Not until the panes are lami- nated in an autoclave and have com- pletely cooled is it possible to see whether the process has been suc- cessful or whether it has been impaired by tiny bubbles. The staircase tower is enclosed in an inner and outer layer of 12.76 mm safety glass. The inner skin consists of 6 mm Eko + glass and a 6 mm layer of diamond glass. The outer skin consists of two layers of 6 mm diamond glass. An intermediate layer of plastic sheeting was inserted between the panes of glass in each skin, and the cavities were filled with- argon. The largest panes, which measure 2,800 x 4,300 mm and weigh 720 kg, are in the ground floor „skirt“ structure. These elements dif- fer from the cylindrically-shaped panes, which have a rhomboid form and follow the curving line of the spi- raling staircase. As they ascend the gently rising stairs, visitors can admire the facade of the old armoury building opposite the new museum. Since even the curved balustrades are constructed in safety glass, there is an unimpeded view of the sur- roundings from all points of the stair- case. The outer balustrade has a radius of five metres, the inner balustrade a radius of three metres. The sole defining line is formed by the spiraling, matt-burnishedsteel handrails. The closed faces of the strict, geo- metrical museum building are in North American granite, French lime- stone and exposed concrete, finely- coordinated with each other in colour. For conservational reasons, the facades had to remain largely windowless. On the second floor, however, they are relieved by large openings that allow a view to the outside world and serve as a means of orientation. Pei directs the lines of vision to the urban surroundings: a curved window focuses on a grove of chestnut trees, the New Guard House, the armoury and St Hedwig’s Cathedral. A roof terrace and a glazed oriel establish visual links with the museum island. ■ Tambest OY, Lasikaari 1, FIN-33960 Pirkkala, Tel. +358 (0) 3 3132 3500, Fax +358 (0) 3 3132 3360, www.tambest.fi. 40 QVS
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AVS. Arkitektúr verktækni skipulag

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