AVS. Arkitektúr verktækni skipulag


AVS. Arkitektúr verktækni skipulag - 01.12.2003, Síða 45

AVS. Arkitektúr verktækni skipulag - 01.12.2003, Síða 45
A Sporting Field in Tussols-Basil, Olot, Spain by the Architectural Practice RCR Halldóra Arnardóttir, Art Historian, and Javier Sánchez Merina, Architect The architects of this recreational and sporting field remember that they „carried out this project in the face of considerable opposition from athletes on one hand, and environ- mentalists on the other. The former did not want dny trees and the latter did not want any tree to be cut down.“ The small town Olot, north of Girona, Spain, is surrounded by nature and volcanoes. Tight oak forests have prospered there for hundreds of years. The plan for this area, from a time when environmental issues had not yet come to fore, called for a sporting field in a tight woods of white, slow-growing oak trees. This is where a confrontation between the sporting union and the environmen- talists took place. One party, the sporting union, want- ed a sporting field where trees would not prevent a clear view of the judges over the area. The other party, the environmentalists, wanted the trees to be left unharmed. The sporting union then reiterated that if the relevant rules were not adhered to, the result would be that organ- ised competitions would not be recognised within the union. The group of architects, RCR (the archi- tects Rafael Aranda, Carme Pigem og Ramón Vilalta) were faced with this dilemma when the mayor pro- posed that they should find a solu- tion which could intermediate between these two opposing groups. Properties of The Games Instead of trying to reach a compro- mise, and before marking the first line in the woods, RCR Architects decided to study the behaviour of people towards sports. With this objective in mind, they went back to the origin of the ancient Olympic Games in Greece. The Games were held out in nature on Mount Olympus, to the glory of Zeus, for the first time in 776 BC. From that time, all the way to the reign of Theodosius the Great, who banned the Olympic Games in 394 AD, the Games emphasised two aspects: religion and health. When the Games were revived towards the end of the 19th Century, the emphasis was only on bodily health, in the belief that moral and mental development was based on a healthy body. RCR Architects set to recapture the original atmosphere of the Games and developed a proposal for an area for modern sport and social life. Their first undertaking was therefore to look for a site where a dialog between these two roles intended for the sporting field could take place, creating an environment where nature and sport could not be sepa- rated. New Value of the Oak Forest The architects found a suitable clear- ing in the woods for the location of the sporting field, where cultivation had formerly taken place in two areas separated by tall trees and vegetation. They were sufficiently large for two 400 m. rings, with six lanes and necessary equipment for sporting practice. Although the origi- nal brief went against the demands of the environmentalists, it was pos- sible to plan the competition tracks in such a way that the oak trees could be protected, simultaneously meet- ing the strict demands of the sports union for good visibility over the tracks. The seats of the judges were placed in certain positions along the track so that they could perfectly supervise the contestants. This also added to the excitement of the spec- tators to see the contestants appear and disappear in turn between the trees. This play - to appear and disappear - already existed at the edge of the town when the project had been left. Although the sporting field was not visible from the footpath, visitors are guided along through other sens- es - vision, hearing, smell and touch - preparing them for an unusual experience. Spectators sit on basalt- coloured concrete steps that both look like small planes and small benches in the clearings. Tall towers give off interesting light where they stoop and carry on a conversation with the trees, giving the site focus at the same time. Concurrently, a small steel unit opens, containing a small bar and storage. The oak wood is a place that can be enjoyed both by spectators and sportsmen viewing sporting practices and com- petitions. They can even take a bath in the river Fluvia by a changing hall designed by the same architects. The changing hall has another simple support structure of iron and steel, with a small bar and changing rooms. This opens out, permitting the trees to form their natural eleva- tions. The woods contribute to the experi- ence of the sporting field. This aspect guided the design develop- ment of RCR Architects during the project. The spectator cannot give a definite answer as to what is natu- ral or man-made untii deciding on the place where he or she watches practice and competitions out in nature and fresh air, or comes with his or her family to enjoy the running tracks amongst the oak trees. The trees are participants. They play in the wind and change with the sea- sons. At the beginning of October, the trees distribute cones on the run- ning tracks. Then they loose their wave-formed leaves, green on top and silver-coloured on the underside. The old oak trees are the material used for this project. They have cre- ated a new reality which combines- the attitudes of their visitors to the environment and sport. ■ avs 43

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