Gripla - 01.01.1975, Side 61

Gripla - 01.01.1975, Side 61
MANIFESTATIONS OF RAGNARS SAGA LOÐBRÓKÁR 57 probability written as an introduction to Ragnars saga.53 Against this, de Vries argues principally that if Völsunga saga had been written as an introduction to Ragnars saga, the author of Völsunga saga would not have included in it, as he does, material which is quite unrelated to Ragnarr loðbrók, such as the stories about Helgi Hundingsbani and Jörmunrekr.54 Even if Áslaug is regarded as the true protagonist of Ragnars saga, and the two sagas together are regarded as a single long Völsunga saga, as Bjarni would have it, it has to be admitted that, in its use of material not directly related to the dynastic theme, Völsunga saga differs somewhat from Ynglinga saga and Skjöldunga saga, both of which Bjarni sees as possible models for the long Völs- unga saga he posits.55 de Vries goes on to develop quite convincingly a view which takes as its starting-point a consideration with which Bjami agrees, namely that Ragnars saga originally existed independently of Völsunga saga. If this is accepted, says de Vries, then it has to be admitted that Chapter II of the 1824 b text of Ragnars saga shows every indication of marking the original beginning of the saga. This chapter, which deals with Ragnarr’s slaying of the serpent in Gautland, begins in tme saga-fashion with the following sentences: ‘HeRuþr het iarll rikr ok agetr a Gautlandi. Hann var kvongadr. Dottir hans het Þora,’56 etc. Chapter I of this same text, on the other hand, begins in a manner which presupposes a knowledge on the reader’s part of certain of the characters and events of Völsunga saga, and does not tie up logically with events dealt with in subsequent chapters of Ragnars saga. The content of this first chapter may be briefly summarized as follows: Heimir of Hlymdalir, the foster-father of Brynhildr Buðladóttir, re- ceives the news that Sigurðr and Brynhildr are dead. Heimir, who is also the foster-father of Brynhildr’s three-year old daughter by Sig- urðr, Áslaug, now resolves to save the latter from all possible future harm. He hides her with some treasure in a skilfully made harp, sets out with her on a long journey, and eventually arrives in Norway, 53 See Eugen Mogk, Geschichte der nonvegische-islandischen Literatur, 2. Auf- lage (1904), 843. 54 See de Vries (1915), 188-89. 55 See Guðnason (1969), 35. 58 See Olsen, 116.
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