Ritröð Guðfræðistofnunar - 01.09.2007, Side 20

Ritröð Guðfræðistofnunar - 01.09.2007, Side 20
ne “Abba, my dear father”. On the other hand the crucified Christ is the revelation of the trinitarian mystery of God. Only when we plumb the depth of this “pain of God” can we grasp the immeasurable Easter jubila- tion of the “Joy of God” and the whole creation. Consent and Critique THE CRUCIFIED GOD became in the best sense of the word contro- versial. It stimulated people to think about suffering and the Crucified Christ by themselves. I got strong support from Anglican theologians such as Kenneth Woolcombe and Richard Bauckham. Agreement came also from liberation theologians like Jon Sobrino and Leonardo Boff, from the Korean Minjung-theologian Ahn, Byun-Mu, and to my surprise also from the orthodox Rumanian theologian Dumitru Staniloae, who found the pain of God included in the concept of the merciful God. But what impressed me most were the many personal letters coming from people in prisons, hospitals and basic [’simple’?] communities in slums, poor people who have to live in the “shadows of the cross”, sick people in the “dark night of the soul”, or between the crucified people of this world. People are still coming to me after 30 years, speaking about the personal consolation they found in this book. When they cried out to God, they found the suffering God at their side. At the end of the war the theology of God’s suffering had already been outlined by the Japanese theologian Kazoh Kitamori12 and by the theolog- ian of the German resistance movement, Dietrich Bonhoeffer. ‘Only the suffering God can help’, wrote Bonhoeffer from his prison cell. It was only after I had written THE CRUCIFIED GOD that I discovered the inten- se discussion about the passibility or impassibility of God that had been carried on in Anglican theology of the nineteenth and twentieth centuries but had been completely ignored by German theology. I found the positive influence of my theology of the cross especially in the Christology of Jon Sobrino, who deepened and sharpened it for the 12. Kazo Kitamori, The Pain of God, London 1965. 18
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