AVS. Arkitektúr verktækni skipulag - 01.12.1993, Síða 72

AVS. Arkitektúr verktækni skipulag - 01.12.1993, Síða 72
ENGLISH SUMMARY This issue of Arkitektúr, verktækni og skipulag (Architecture, Engineering and Planning) focusses on the interior envi- ronment. PAGE 11: TURNING POINTS AT THE TURN OF A NEW CENTURY At the end of the 19th century, Reykjavík was the setting of a cultural dichotomy: the traditional rural culture of Iceland and the new urban culture imported from Den- mark. Today a similar situation exists, as Icelandic conventions confront a more cosmopolitan culture from mainland Eu- rope. The pictures on the next few pages, taken.in the Arbær Folk Museum in Reykjavík, illustrate the contrasts of the tum of the last century. PAGE 17: A TURNING POINT IN CAFÉ CULTURE The city of Reykjavík has undergone noth- ing short of a revolution on the café scene. The town’s old-established cafés all share the familiar Scandinavian style, with room- dividers and rough-hewn natural materi- als. Recently-opened places have more the feel of a bistro in southem Europe. The following pages illustrate this contrast of cultures. PAGE 25: WHAT MAKES ICELANDIC PRODUCTION UNIQUE IS ICELANDIC DESIGN Interior designer Elísabet Ingvarsdóttir interviews fumiture designer Sigurjón Pálsson, who was among the exhibitors of Icelandic fumi ture design at the Reykjavík City Hall in October 1993. Sigurjón Pálsson’s design, „Rapsodia" goes into mass production at Bmne Möbelfabrik in Germany in the begining of 1994. He describes the difficulties he has experi- enced in seeking financial backing for his work in Iceland. He emphasises the im- portance of closer collaboration between designers andmanufacturers. TheRapsodia chair, which is stackable, makes reference in its form to the violin and cello. PAGE 28: EXHIBITION BY ICELANDIC FURNITURE DESIGNERS IN REYKJAVÍK CITY HALL IN OCTOBER 1993 Pictures of some of the exhibits. PAGE 30: THE KITCHEN OF THE FUTURE Guðrún Margrét Ólafdóttir and Oddgeir Pálsson consider the way that the family uses a kitchen: it needs to be an adaptable centre of the home, a place to read, write, watch TV, as well as the family’s eating place, and a setting for dinner parties. The tendency is for meals to be quickly pre- pared, and kitchen appliances play a grow- ing role. There is increasing variety in kitchen fittings for different tastes, rather than standardised units. In the future, kitchen design is likely to adapt more and more to individual needs and demands. PAGE 33: GROWING GENERATIONS AND ICELANDIC BUILDINGS Economist Þór Sigfússon makes the inter- esting point that, although Icelanders are. on average, taller than other Europeans, many public buildings are built with rela- tively low doorways. He suggests that, since the Icelanders are still growing, de- signs of public buildings should take this natural factor into account. PAGE 34: ICELANDIC HUMOUR IN ARCHITECTURE Architect Ami Þorvaldur Jónsson writes about the extraordinary hotch-potch of ar- chitectural styles which may be observed in Iceland, reflecting a „nouveau-riche“ lack of taste and tradition. Though some- times called „picturesque,“ he says it is nothing but a joke. He points out the pre- dominance' of houses designed, not by architects, but by builders, on the basis of the prospective owner’s (sometimes bi- zarre) preferences. PAGE 37 HOUSE OF A SUICIDE AND HOUSE OF A SUICIDE'S MOTHER Tine Nörgaard writes about two works by American architect John Hedjuk, presented to the Czech people in tribute to the memory of Jan Palach. PAGE 41: A LETTER TO THE MAGAZINE (In English) PAGE 44: THOUGHTS ON QUALITY AND REGULATION Ami Geirsson of the Icelandic Fisheries Laboratory discusses how a quality-man- agement system is being developed for the laboratory. assessing such factors as: time spent on information gatheimg, perform- ance at meetings and presentations, qual- ity of reading matter produced, swiftness of response to inquiries, and the custom- er’s assessment of the service given. A target value is set for each factor to be included. The system does not simply award numerical „marks“ for each factor, but is based upon simple descriptions of target, which can then be compared with real results. PAGE 47: ON THE DRAWING BOARD - A PARK ON HVERFISGATA TO COMMEMORATE THE HALF- CENTENARY OF THE ICELANDIC REPUBLIC A small park, 700m2, is to be created on a lot in downtown Reykjavík, commemo- rating the 50th anniversary of the Icelandic Republic in 1994. The design, by land- scape architect Y ngvi Þór Loftsson, incor- porates such national-historical references as use of various types of rock from the four Quarters (north, south, east and west) 70
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