AVS. Arkitektúr verktækni skipulag - 01.09.2004, Síða 81

AVS. Arkitektúr verktækni skipulag - 01.09.2004, Síða 81
Þetta er einn af vinsælustu ferðamannastöðum á Englandi og meðal styrktaraðila er Evrópusambandið og Þúsundáraafmælisnefndin sem ráðstafaði tekjum frá Lottóinu í Stóra Bretlandi til verkefnisins. (Mynd: EdenProject). / This is one of the most popular tourist destinations in England. Among supporters are the European Union and the Millennium Committee who gave grants from the UK-Lottery to the project. (Photo: The Eden-Project) The Garden of Eden in Cornwall, England eftirNicholasGrimshaw Halldóra Arnardóttir, Art Historian and Javier Sánchez Merina, Architect. We do not have to return to the pre- historic hut to live in baiance with Nature. The elegant high-technology of the largest pleasure garden of the worid is a schoolbook in ecology and a model in the use of recycled materials. The Eden-project came about from the need to show how the relation- ship with Nature could be reclaímed and how we could live with it. To this end the British architect, Nicholas Grimshaw, studied very light supporting structures in order to heal the wounds of landscape after mining. During the construction of the Eden-project the collaborators of Grimshaw developed a system which measured its ecological impact and the influence of the supporting structure on vegeta- tion, natural resources, the air and the surrounding communities. This resulted in the Grimshaw Architects becoming the first large architectural practice to meet the international standard, ISO 1400 - it is a con- firmation of the goal to protect the environment and prevent pollution in accordance with national and eco- nomic needs. The Grimshaw Architects have now developed, as part of the design process, their own system of revision, called Environmentally Viable Architecture, which measures the impact of each project from the start of the design process to the finished building. The Eden-Project The founder of the project, Tim Smit, is a Dutch anthropologist, composer and music producer who became known for the rebuilding of the extraordinary “Lost Gardens of Heligan’’ in Gornwall. These gar- dens, which date originally from the Victorian era and were exemplified by primitive plants and novel meth- ods of growing vegtables, had been completely destroyed in 1990 dur- ing a severe storm. Smit managed to make the gardens sustainable again and from that time they have become the most visited private gardens in Britain. In 1996 Smit wanted to reach a larger audience and commute to it the importance of building a stronger connection between Man and Flora. He therefore founded the Eden-Project, an extensive park with thousands of plants from all corners of the world and climates. This was not meant to be an ordinary large greenhouse or a theme-garden. The main goal was to encourage visitors to learn to find balance with Nature. During his search for an appro- priate location Smit found an area near to St.Austell on the headland in south-west England, warmed by the Gulf Stream. This was a large, dis- used clay-quarry equal to 35 football pitches in size and 60 m deep. Smit asked Nicholas Grimshaw to design a supporting structure tall enough to accommodate trees from the tropics and wide enough to shelter plants from the sunny Mediterranean. Domes built on short- lines Because of the instability of the soil and sharpness of the wound of the mining, Grimshaw proposed a light supporting structure on the surface of the land. Like soap-bubbles, each with its own climate, he designed a row of eight domes in two rows, each with four interconnected skel- etons. In order to make the support- ing structures as light as possible, he worked with the shortline-grid that the American designer, inventor and environmentalist Buckminster Fuller had patented towards the end of the 40s. The shortline-rule is based on connecting flat surfaces to make curved forms. In this way it is possible to cover a larger area without interior supports than in any other building. In addition it provides endless possibilities for treatment at the edges and as the support- ing structure becomes larger, it becomes relatively lighter and stronger. avs 81
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