Fróðskaparrit - 01.01.2005, Qupperneq 146

Fróðskaparrit - 01.01.2005, Qupperneq 146
144 NEWS AND PROGRESS 2004 a model which originates to Schleierma- cher, but has been presented in a unique way by Dahl himself in his sermon in Tór- shavn on the first Sunday in Advent 1934. In his homiletical distinction Dahls makes use of the Faeroese church with its chan- cel, nave, and pulpit. In this connection the chancel is said to symbolise the Word of God and the the- ology. The investigation shows, however, that Dahl is not significantly influenced by an older, lutheran orthodox or pietistic conception of the faith as claimed by pre- vious scolars. He has rather been affected by professors like P. Madsen, C. Henrik Scharling, and V. Ammundsen, whom he heard during his studies at the University of Copenhagen. His sermons reveal a lib- eral conception of God, a subjective un- derstanding of the atonement, a faith that is at large based on subjective feelings and experiences, and an ethics of the mind. Furthermore the nave is seen as a sym- bol of the congregation or the listeners. Dahl claims that the Gospel must be an- nounced to every new generation in its own way, and this understanding is obvi- ous in the strong element of contextuality that caracterises his sermons. Clearly his sermons have been preached in the Fae- roes. The conditions of island life with its joys and sorrows, the fragile structures of the fishing society, actual events abroad or at home, nature as a metaphor of the heart - all these elements render a clearly felt homely touch to his preaching. In this matter Dahl is indebted to men like Th. Klaveness and Olfert Ricard, great nordic preachers of his days, who addressed their Norwegian or Danish context in a similar way. In the Faeroese churches the pulpit is always placed at the border between the chancel and the nave, and this dialecti- cal position describes the third aspect of the sermon: the preacher himself. The preacher must have heard the message of the Word, before it can be announced to others, and so it is inevitable, that the ex- periences of life and faith and emotions, the personal style and mood of the preach- er have a deep inpact on the way, the ser- mons are shaped and presented. Since the sermons published in the vol- umes I lýsing and Meðan hildið verður heilagt were edited for the purpose of the readers’ service, it has been presumed that they were characterised by a general theo- logical understanding and a timeless form, and that the preacher had anonymised him- self as well as possible. The thesis show that this was not the case. On the contrary it is the specific interplay between chan- cel, nave, and pulpit that has determined the shape, content, and purpose of these sermons. They tend to be “modern ser- mons” in the way described by the Ger- man homiletician Niebergall. The conclu- sion can fully agree with Blicher-Winther, who at Dahl’s funeral foresaw, that his sermons would be read for many years to come, because they brought his words to the hearts In the homely dress of the mother tounge, with the convincing heat of the heart, with help and comfort from above.
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