Fróðskaparrit - 01.01.2001, Side 147

NÝTTINNAN VÍSINDI 2000
151
Hann ger seg galdandi í frásagnarligu tøk-
unum, sum blanda fleiri frásagnarrøddir og
frásagnartíðir. Og hesin listfrøðiligi dámur-
in sæst í huginum til at endumýta annan
skaldskap, at sitera og samstundis broyta
sitat hjá týðandi høvundum fyri á onkran
hátt at siga nakað um og við tann undan-
farna skaldskapin. Dúgliga endurtøkan av
eldri skaldskapi hevur harafturat ta avleið-
ing, at tað er ikki so einfalt at tolka tekstirn-
ar, tí verkini royna av øllum alvi sjálv at
leggja tolkingina til rættis - sitatini beina í
mongum førum tolkingina eina ávísa leið,
soleiðis at hon vendir inn móti verkinum
sjálvum.
the Second World War we see another
aesthetic value in prose, firstly in the novel,
but also in the short story. The aesthetic
tone is visible in the fragmented stories
about parts of the fictional characters’
lives. It is evident in the narrative mode
mixing several narrators’ voices and
narrative times. And this aesthetic tone is
seen in the wish to recycle other literature ,
to quote and at the same time change
quotations from important authors in order
to somehow say something about and to
the previous literature. Furthermore the
extensive reproduction of older literature
entails a more difficult task in interpreting
the texts because the works try by all
means to arrange the interpretation
themselves - the quotations tend to direct
the interpretation in a certain direction
turning it inwards towards the work itself.
(Translated by Berljót av Skarði)
Betty Lómstein Pedersen: 2000.
Dissolution of Poorly Soluble Drugs in
Gastrointestinal Fluids. Ph.D. thesis at Aar-
hus University