Uppeldi og menntun - 01.07.2013, Page 52

Uppeldi og menntun - 01.07.2013, Page 52
Uppeldi og menntUn/icelandic JoUrnal of edUcation 22(2) 201352 tÓnmenntakennsla í íslenskUm grUnnskÓlUm Straub, D. A. (2000). A snapshot of a quality K-12 music program. Í B. Reimer (rit- stjóri), Performing with understanding: The challenge of the National Standards for Music Education, (bls. 33−44). Reston: National Association for Music Education. Turøy, A. K. W. (2007). Hvordan foregår komponering i grunnskolen? Í E. Olsen og S. S. Hovdenak (ritstjórar), Musikk: Mulighetenes fag (bls. 99−112). Bergen: Fagbok- forlaget. Väkevä, L. (2006). Teaching popular music in Finland: What’s up, what’s ahead? Inter- national Journal of Music Education, 24(2), 126−131. doi: 10.1177/0255761406065473 Väkevä, L., og Westerlund, H. (2007). The ‘method’ of democracy in music education. Action, Criticism, and Theory for Music Education, 6(4), 96−108. UM HÖfUnDinn Helga Rut Guðmundsdóttir (helgarut@hi.is) er lektor í tónmennt við Menntavísindasvið Háskóla Íslands. Hún lauk B.Ed.-prófi frá Kennaraháskóla Íslands 1992 með tón- mennt sem valgrein. Meistaraprófi í tónlistarmenntunarfræðum lauk hún frá McGill háskóla í Montreal, Kanada árið 1997 og doktorsprófi frá sama háskóla 2003. Rann- sóknir Helgu Rutar hafa verið á sviði tónskynjunar og tónlistarmenntunar. Current practice in music education in Icelandic schools (grades 1−10) abstract The aim of this study was to document current practices in music education within the compulsory school system in Iceland (grades 1−10). For that purpose twelve randomly selected music teachers were visited, interviewed and observed during teaching. Little is known about the content and methods used in Icelandic music class- es. Previous study of exceptionally successful music teachers suggested that the key to success was the teachers’ ability to build on their own personal strengths in creating a unique music program (Kristín Valsdóttir, 2009). However, less is known about the strategies of music teachers in general. Although music is a subject in the majority of Iceland’s compulsory schools, it is usually not taught at all grade levels (Helga Rut Guðmundsdóttir, 2008). Most often music is taught by a music educator in the first 5−7 grades which is in contrast to prac- tices in nearby countries where music teachers more often teach older children and at the high-school level (Mills, 2005; Olsen and Hovdenak, 2007; Straub, 2000). Music educators in schools often have much freedom in their applications of methods and curricular aims (Campbell and Scott-Kassner, 1995; Olsen and Hovde- nak, 2007). Therefore, interviews and observations are important tools for acquiring knowledge of current practices in music education.
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