Fróðskaparrit - 01.01.2001, Page 145

Fróðskaparrit - 01.01.2001, Page 145
NYTT INNAN VISINDI 2000 149 um er broytt. Tá ið broytingin er stór og tal- an kann vera um avlaging ella avskeplan er talan um at halda fyri gjøldur, sum tá ið Rúm hevur “ein varligur dráttur í kynshár- um” í staðin fyri “í tara”. Eru broytingarn- ar minni, er heldur talan um at læna orðing- ar og læra av undangonguskaldinum. Talan er heldur um álvarsemi, tá ið Jens Pauli Heinesen endurgevur eina søgu hjá Hans A. Djurhuus og síðani sigur hana lutvíst uppaftur, so hon hóskar til eitt tema í skald- søguni. Talan er um hávirðing fyri undan- gongutekstinum uttan nakra roynd at koma longri enn hann, sum kemur fram, tá ið sitat standa sum skjal og prógv, t.d. sum tíðar- mynd sum í Lívsins sumri og .... hvørt við sínar náðir. Bókmentasøguliga gongdin í Føroyum verður ofta borin saman við gongdina á evropeiska meginlandinum, og mett verður um líkleikar og munir í mun til hugtøk sum samstundisleika og ósamstundisleika. Al- oftast verður føroyska gongdin skírd at halta eftir ta evropeisku ella beint fram at vera eftirbátur. Hetta er eitt normativt sjón- armið, sum byggir á eina hugmynd um, at tað finst ein grundleggjandi bókmentalig menningartilgongd. Bókmentasøga er kon- struktión, og hon er aloftast bundin aftur at eini ávísari tjóð, har bókmentirnar hava ávísar, men ikki altíð tær somu uppgávurn- ar í tjóðarbyggingini. I roynd og veru er tað soleiðis, at vestur- evropeiskar bókmentir hava nøkur viður- skifti í felag, og líkleikamir standast m.a. av sosialum, átrúnaðarligum, filosofiskum og politiskum rørslum, sum fara um lond- ini. Rørslumar spjaða hugsanimar, men tær have been identified and analysed wilh regard to their position in the new textual environinent. It has beconte clear that in most cases the language in qoutations has been changed. When the change is ex- tensive and there may be a question of rephrasing or disfigurement, it is a case of mockery as in Rúm when “ein varligur dráttur í tara” from a poem by Chr. Matras becomes “ein varligur dráttur í kynshár- um”. If there are lesser changes, it is more likely a case of borrowing and learning from the predecessor author. There is seriousness involved when Jens Pauli Heinesen repeats a story by Hans A. Djurhuus, and then partly reproduces it so that it fits in with a theme in the novel. It is a question of respect for the predecessor text without trying to achieve more than it emerging when quotations are used as document and evidence, for example as an image of the period as in Lívsins summar and ...hvørt við sínar náðir. The development in literary history in the Faroes Islands is often compared to the development on the European continent, and there is discussion about similarities and differences regarding concepts like simultaneity and non simultaneity. Most often the Faroese development is said to be lagging behind or even backward. This is a normative viewpoint based on the idea that a basic literary developmental process exists. Literary history is construction, and it is mostly connected to a certain nation where literature has certain, but not always the same, tasks in nation building. The fact of the matter is that West European lit-
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