Gripla - 20.12.2011, Side 65

Gripla - 20.12.2011, Side 65
65 As in the case of the two nautical catalogues with symbolical implica- tions, the text of the rainbow allegory was first edited by E. Kölbing in 18798 and then more reliably by L. Larsson in 1891.9 The relevant page of AM 673 a II, 4to, which is incidentally one of the oldest Icelandic manuscripts,10 is badly damaged due to the parchment being of a very soft 8 Cf. E. Kölbing, “Geistliche Auslegung von Schiff und Regenbogen,” Zeitschrift für deutsches Altertum und deutsche Litteratur 23 (1879): 258–261 (rainbow allegorical text: 261). 9 Cf. Ludvig Larsson, “Nochmals Schiff und Regenbogen,” Zeitschrift für deutsches Altertum und deutsche Literatur 35 (1891): 244–248 (rainbow allegorical text: 247–248). Larsson’s edition is basically the source of the text printed both by Håkon Hamre, “‘Þá er vér erum á skipum staddir...’ Forníslenzk prédikun,” Skírnir 123 (1949): 186–190 (normalized Icelandic edition, with a few minor alterations: 189), and by James W. Marchand, “Two Notes on the Old Icelandic Physiologus Manuscript,” Modern Language Notes 91, 3 (April 1976): 501–505, but especially 503–505 (text and modern English translation: 504). 10 In fact, AM 673 a I and II, 4to (ca. 1200) are the oldest illustrated manuscripts preserved in Iceland. They have been the subject of special editorial and critical attention, their content being mainly concerned with the Physiologus tradition. AM 673 a, 4to is actually composed of three different manuscripts or manuscript fragments (cf. AM 673 a I–III, 4to), all ill- ustrated and mostly dealing with allegorical matters. Fragment I (two leaves) opens with the Old Icelandic so-called Physiologus A (fols. 1r-v), a moral interpretation of five symbolic animals with illustrations for all but the last, followed by an iconographic cycle illustrating Isidorus’ portenta derived from Etym. XI, III (fols. 2r-v), with pictures arranged in three lines and from the same hand as the first folio’s illustrator. Fragment II (eight adjoining leaves plus one separate leaf) contains first the so-called Physiologus B (fols. 1–5), an Old Icelandic rendering of the Physiologus proper, that is descriptions of 15 animals and their allegorical meaning, all but one of which (deer) is illustrated; then an illustrated text on four more animals, again interpreted allegorically but derived from commentaries on the Bible rather than from the Physiologus or bestiaries tradition (fols. 5v-6v); and finally, a double ship allegory in a homiletic form, followed by a symbolical interpretation of the colours of the rainbow, which is our main concern here (fols. 8–9). Fol. 6v and the single leaf inserted as fol. 7 of this second manuscript contain various material in later hands, namely a Latin evangelical fragment (palimpsest, 16th century) and a medical text in East Norwegian dialect (about 1370), together with two different pictures of the elephant, which is the last animal discussed on fol. 6v. Manuscript III (21 fols.) is the famous ‘Drawing Book’ (Teiknibókin), an independent illustrated manuscript dating from the 15th century and dealing with episodes from the Bible and various sacred subjects. The core of the editorial tradition concerning the ‘Physiologus manuscript’ is still Halldór Hermannsson, The Icelandic Physiologus, Islandica 27 (Ithaca, N.Y.: Cornell University Press, 1938; repr. New York: Kraus Reprint Corporation, 1966), 7–15 for a paleographic and codicological description, 17–21 for the Physiologus text. See also V. Dahlerup, “Physiologus i to islandske bearbeidelser. Udgiven med indledning og oplysninger,” Aarbøger for nordisk Oldkyndighed og Historie 2, 4 (1889): 199–290 (diplomatic edition of the texts, with careful paleographic analysis and lithographic facsimile of the relevant pages). On Teiknibókin see Björn Th. Björnsson, Íslenzka teiknibókin í Árnasafni (Reykjavík: Heimskringla Prentsmiðjan Hólar H–F, 1954). A new facsimile edition with commentary by Guðbjörg Kristjánsdóttir is THE R A INBOW A LLEG ORY
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