Saga


Saga - 2016, Side 122

Saga - 2016, Side 122
Aftur á móti segist Uno von Troil (1746–1803), sem kom hingað 1772 með leiðangri sir Joseph Banks, hafa séð tvö hljóðfæri á Íslandi: Jag såg i landet tvänne spel-Instrumenter, Laang spil, med sex messings strängar, och Fidla, med två tagelsträngar, som bägga speltes med stråke. et annat Instrument, Symphon, hörde jag äfven talas om, men såg det ej.50 Að öllum líkindum hefur Uno von Troil séð fleiri en eitt langspil því að það eintak sem Sir Joseph Banks hafði sjálfur með sér til eng - lands hafði fjóra strengi en ekki sex. Frá því segir tónskáldið og fræðimaðurinn Charles Burney: Sir Joseph Banks and Dr. Solander, when they visited this island in 1773 [!], brought thence a very ancient musical instrument, of a narrow and long form, which used to be played on with a bow; and of which they did me the honour to make me a present. It is called by the natives the Long-Spiel, and has four strings of copper, one of which is used as a drone. Pieces of wood are placed at different distances upon the finger - board to serve as frets. Though this individual instrument has the appear ance of great antiquity, yet, rude and clumsy as it is, there can be no doubt but that it was still more imperfect in its first invention. For to have placed these frets, implies some small degree of meditation, experience, and a scale; and as to the bow, that wonderful engine! which the ancients, with all their diligence and musical refinements, had never been able to discover, it seems, from this instrument, to have been known in Iceland at least as early as in any other part of europe. Sir Joseph Banks and Dr. Solander, when they found the Long-Spiel on the island, had very great difficulty in discovering a person among the inhabitants who either could, or would, dare to play on it. At length a wicked Icelander was found, who being rendered more courageous and liberal than the rest by a few glasses of generous gin, ventured, in secret, to exhilarate these philosophers — —with a Psalm-tune.51 rósa þorsteinsdóttir120 50 Uno von Troil, Bref rörande en resa till Island MDCCLXXII (Uppsala: Magnus Swederus Bokhandel 1777), bls. 70; úr bréfi til „Herr Cancellie Rådet och Riddaren Ihre. Stockholm d. 1 Sept. 1774.“ Heimildir eru um að Þórður Þorláksson (1637–1697) Skálholtsbiskup hafi flutt symphon, harpsichord og regal til landsins (sjá Guðrún Laufey Guðmundsdóttir, „Tónlistararfleifð Þórðar Þorlákssonar“, Menntun og menning í Skálholtsstifti 1620–1730. Ritstj. kristinn Ólason (Reykjavík: Grettisakademían 2010), bls. 11–21, hér bls. 14), ekki er þó líklegt að það sé sá sami symphon og von Troil heyrði um 75 árum eftir andlát Þórðar. 51 Charles Burney, General History of Music from the Earliest Ages to the Present Period, vol. 3 (London: the author 1789), bls. 40–41. Burney telur að eftir siðbreytinguna hafi almenningi á Íslandi verið bannað að leika á hljóðfæri. Saga haust 2016.qxp_Saga haust 2004 - NOTA 17.5.2019 10:12 Page 120
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