Skáldskaparmál - 01.01.1997, Side 133

Skáldskaparmál - 01.01.1997, Side 133
Riti Kroesen 131 Saga named after her (FAN II, p. 23). The stories ofvalkyries often end in a tragic way, but if it comes to marriage, they seem to adjust to a more traditional way of life, too, though eventually, owing to circumstances, they can once more return to the battlefield (Skuld). Valkyries and shield maidens look the same and behave in the same way. Yet shield maidens are human and valkyries are supernatural. Valkyries can fly through the air, they can be invisibly present on the battlefield, and it is their function to control the fortunes of war. The present article is about valkyries, and it will try to steer clear of shield maidens. It will also try to steer clear of psychology. Valkyries originally belonged to the realms of myth, and where psychology starts, myth is at an end2 Nor does it have any specific feminist orientation, although its author is a woman. Certain valkyries always appear in groups. In some texts they can be grim female demons who satiate themselves on the blood and flesh of the newly slain. According to Golther,5 6 7 these valkyries are of the oldest type, and they are not associated with Óðinn yet. At the other end of the development we find the individual valkyries who serve Óðinn and are the beloved of heroes, yet however beautiful and radiant they have become, they can still inspire people with feelings of horror. On the whole scholars have followed up Golters opinion. As far as I know, it was only challenged by Marstrander on account of his interpretation of the rune inscripdon of the Vimose buckle.8 According to him this Gothictext must be read as “aasau wija gaadagas alu,” Runic-Norse "a(n)sin wigju gand(a)aganda alu , which he translates as: “with a terrible magic I dedicate (this buckle) to the god of the Æsir, alu (a magic rune)”. This god he interprets as Óðinn. He goes on to establish an old connection between Óðinn and the valkyries, because the (necessarily much younger) word Göndul (derived from ganda-, magic object according to Marstrander) is known as a valkyrie’s name. We can hardly quarrel with his opinion here, but it seems to be stretching the evidence of a dubious interpretation of one short text a good deal.9 We will pursue the theory of Golther, because it seems to us the most probable one. This article consists of three parts. First we will give a sketch of the development of the valkyries according to the guide-lines set out by Golther with some additions. Next the stories about the heroic valkyries will be analyzed. We will finish by trying to determine what the underlying meaning of these stories could be. 5 Steblin-Kamenskij’s article “Valkyries and Heroes” (1982) is about the psychological aspect of valkyries. Therefore it will not be discussed. 6 Golther (1888). 7 See Neckel (1944). 8 Marstrander (1929), esp. p. 84. 7 This interpretation has been refuted by Antonsen (1975 and 1987).
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