Milli mála - 2019, Blaðsíða 109

Milli mála 11/2019 109
GREGORY ALAN PHIPPS
Works Cited
The following abbreviation is used to refer to the writings of Emily
Dickinson:
Fr The Poems of Emily Dickinson. Ed. R. W. Franklin. 3 vols. Harvard UP, 1998.
Citation by poem number.
L The Letters of Emily Dickinson. Eds. Thomas H. Johnson and Theodora Ward.
3 vols. Harvard UP, 1958. Citation by letter number.
Banner, Lois. American Beauty. Alfred A. Knopf, 1983.
Bollobás, Enikő. “Troping the Unthought: Catachresis in Emily Dickinson’s
Poetry.” Emily Dickinson Journal, vol. 21, no. 1, 2012, pp. 25-56.
Boziwick, George. “Emily Dickinson’s Music Book: A Performative Exploration.”
Emily Dickinson Journal, vol. 25, no. 1, 2016, pp. 83-105.
Caci, Ursula. “Interchangeability and Mutuality: The Relativity of Power in
Dickinson’s Gendered Relationships.” Emily Dickinson Journal, vol. 23, no. 2,
2014, pp. 69-91.
Cooper, James Fenimore. The Last of the Mohicans. Harvard UP, 2011.
Cooper, Wendy. Hair, Sex, Society, and Symbolism. Stein and Day, 1971.
Dickens, Charles. A Tale of Two Cities. Modern Library, 1996.
Gelbart, Nina. “The Blonding of Charlotte Corday.” Eighteenth-Century Studies, vol.
38, no. 1, 2004, pp. 201-21.
Gilbert, Sandra and Susan Gubar. The Madwoman in the Attic: The Woman Writer
and the Nineteenth-Century Literary Imagination. Yale UP, 1979.
Gitter, Elisabeth. “The Power of Women’s Hair in the Victorian Imagination.”
PMLA, vol. 99, no. 5, 1984, pp. 936-54.
Hardy, Thomas. The Return of the Native. Norton, 2006.
Heiniger, Abigail. “Undead Blond Hair in the Victorian Imagination: The
Hungarian Roots of Bram Stoker’s ‘The Secret of the Growing Gold.’” AHEA,
vol. 4, 2011, n. pag, web. 3 Feb. 2019.
Jessee, Jessica. “‘an orator of feather unto an audience of fuzz’: Performance as
Subject and Setting in Emily Dickinson’s Poems.” Emily Dickinson Journal, vol.
23, no. 2, 2014, pp. 1-23.
Joncus, Berta. “‘Ich bin eine Engländerin, zur Freyheit geboren’: Blonde and the
Enlightened Female in Mozart’s Die Entführung aus dem Serail.” Opera Quarterly,
vol. 26, no. 4, 2010, pp. 552-87.
Juhasz, Suzanne. “Introduction: Feminist Critics Read Emily Dickinson.” Feminist
Critics Read Emily Dickinson, edited by Juhasz, Indiana UP, 1983.
Juhasz, Suzanne and Cristanne Miller. “Performances of Gender in Dickinson’s
Poetry.” The Cambridge Companion to Emily Dickinson, edited by Wendy Martin,
Cambridge UP, 2002, pp. 107-28.
Keane, Patrick. Emily Dickinson’s Approving God: Divine Design and the Problem of
Suffering. UP of Missouri, 2008.