Fróðskaparrit - 01.01.2009, Side 70

Fróðskaparrit - 01.01.2009, Side 70
68 DREAMS OF CARS ON AN ISLAND Also, most road movies involve marginalized characters without bright future prospects. The Faroese road movie Bye Bye Blue Bird (1999) is interesting, as it represents two girls on the edge from manifold angles: between childhood and adulthood, between local and global community, between tradition and (late) modernity. The sky-blue Ford Taunus, transporting the girls through the islands, couples these contrasting dimen- sions. "My idea oj a piece of sculpture is a road. That is, a road doesn't reueal itself at any particular point or from any particular point. Roads appear and disappear. We either have to trauel on them or beside them. But we don't have a single point of viewfor a road at all, except a moving one, moving along it" (Carl Andre in Moran, 2009) Accidents and tragedies Most young people in the Faroe Islands have had direct or indirect experiences of severe traffic accidents. Girls and boys, if not themselves victims, have friends or relatives that have been involved in accidents on the roads. The Faroe Islands, a transparent small- scale society with traditional kinship relations, are jokingly regarded as 'one big family'. Anyway, this is more than just a comic statement. When the mortal accident occurs, the worst horror for the bereaved, the whole village or town is in mourning (Gaini, 2009). The loss of a son or a daughter is affecting the whole society, because the Faroe Islands are sensitive and unarmed in relation to many kinds of disasters. In past centuries whole village communities could vanish when a local boat disappeared in stormy waters. The Faroe Islands have been a natural risk society from the beginning. Young people chat about the accidents, about the victims and about infamous risky drivers that are still riding. They tell stories, give advice and warnings, as well as boast of personal death-defying episodes on the roads. Some details are subject to exag- geration in dramatic chronicles that often portray the car crash as the result of heroic behaviour. A 15-year-old female informant told me a shocking story: "Once we drove in a car through the tunnel to Leirvík [village]. We were 5 persons in the car; two boys and three girls. We drove at about 790 km/h until we came to the curve in the tunnel; then the driver said with only one finger on the wheel: - if I now lose control, then it is just splash and tomorrow the death notices will be read on the radio" Many of the tragic accidents that have killed boys and girls through the years happened in the early hours of the day when young people are on their way back home from parties and night clubs. Drivers are often very tired, affected by mixed feelings and distrac- ted by their chatty friends on the backseat. The normally easy drive to the home village turns out to be a painful challenge with many pitfalls. Driving with breakneck speed when intoxicated is a suicidal act that has resulted in carnage on mountain roads (Gaini, 2009). The deadly collisions shake society's fabric and traumatize friends and relatives. Some of the close friends of the deceased continue, unaffected, their risk
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