Ritmennt - 01.01.2000, Side 164

Ritmennt - 01.01.2000, Side 164
ABSTRACTS RITMENNT Einar Sigurðsson: Myndir Tryggva Magnússonar af íslensku jólasveinunum. Ritmennt 5 (2000), pp. 95-101. An exhibition was opened on 4 November 1999 in the National and University Library of Iceland to commemorate the lOOth anniversary of the birth of Jóhannes úr Kötlum, the poet. Among the exhibits were the original drawings of the Icelandic jólasveinar or "Yuletide-Lads" made by Tryggvi Magnússon to illustrate the book of poems Jólin koma ("Christmas is com- ing") by Jóhannes, first published in 1932. The book proved extremely popular and has been reprinted 19 times to date. The drawings, deposited with the Library in 1989, are printed here together with a complete list of all the edi- tions of Jólin koma. Helga Kristín Gunnarsdóttir: Eggert Ólafsson skáld og upplýsingarmaður. Ritmennt 5 (2000), pp. 102-11. Eggert Ólafsson was one of the greatest poets of Iceland in the eighteenth century, which is generally known as the Age of Enlightenment. It is pointed out that while his poetry is steeped in the ideas of the Enlightenment it is also charac- terized by pre-romantic attitudes. Eggert sound- ed a new note in Icelandic poetry and introduced new ideas which had great influence on the Romantics of the first half of the nineteenth cen- tury. Many of his poems, including one of his greatest, Búnadarbálkur, are exhortations to his countrymen, written in order to arouse their self-awareness and urge them to do better both in intellectual and economic life. His poetry marks in a sense the end of an era and the begin- ning of a new one and shows unmistakable influ- ence of foreign ideas. Gottskálk Jensson: Hversu mikið er nonnullal Recensus Páls Vídalíns í Sciagraphiu Hálfdanar Einarssonar. Ritmennt 5 (2000), pp. 112-30. (English summary on pp. 129-30.) Wawn, Andrew: The Dream. Óbirt ljóð á ensku eftir Lárus Sigurðsson frá Geitareyjum. Rit- mennt 5 (2000), pp. 131-47. This article provides an edited text of The Dream, a poem written in English by Lárus Sigurðsson from Geitareyjar in honour of a visit to Iceland at some point between 1823-32 by the young British nobleman Sir Thomas Maryon Wilson. The poem, a copy of which survives in a holograph manuscript in the National and Uni- versity Library of Iceland, is both epoch-making and epoch-marking. Firstly, it may well be the first significant poem written in English by an Icelander. As tlie poem's dedication makes clear Lárus was a pupil of Sigurður Sívertsen of Hafnarfjörður, whose father acquired an impres- sive facility in the English language during his enforced and extended stay in Britain during the Napoleonic Wars. Secondly, the poem provides a fleeting glimpse of a British expedition to Iceland about which little else is known. It helps to bridge the gap between earlier scientific expe- ditions led by celebrated Enlightenment-Age fig- ures like Sir Joseph Banks, John Thomas Stanley and Sir George Mackenzie and the subsequent Victorian tradition of Icelandic travel motivated by enthusiasm for medieval Icelandic literature. Sópuður. Ritmennt 5 (2000), pp. 148-57. Accounts of two unrelated events, one taking place in the National and University Library of Iceland, the other in Helsinki University Library: firstly, a reception on the morning of 29 January 2000 to mark the opening of Reykjavík - Cultural City of Europe, at which the Mayor of Reykjavík broke the seal of a box containing the personal papers of Erlendur Guðmundsson, a well-known figure in the cultural life of Reykjavík in the first half of the 20th century, which included, as it turned out and had been suspected, his correspondence with prominent writers and artist (by Ögmundur Helgason; pp. 148-53); and, secondly, a meeting of Nordic boolc historians held on 28-31 October 1999 to dis- cuss, among otlier things, the future of the jour- nal Nordisk Tidskríft för Bok- och Biblioteks- vásen (by Steingrímur Jónsson; pp. 153-57). Finally, there is a correction relating to an article in Ritmennt 4 (1999), pp.126-39 (p. 157). 160
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