Bókasafnið


Bókasafnið - 01.06.2014, Síða 91

Bókasafnið - 01.06.2014, Síða 91
Bókasafnið 38. árg. 2014 91 Keen librarians also wanted a more challenging course which would stretch their experience and enable them to apply the reader­centred approach more stra­ tegically, taking them into new areas with larger­scale project development, outreach into the community and library advocacy. We took more than a year to develop and test interActive and it is now being used by librari­ ans in Scotland, Australia, Canada and New Zealand. You can get a taste of the approach by trying out a few pages of the course at http://www.openingthe­ book.com/interactive The name is clearly because it’s an interactive on­ line course but it’s also because the course facilitates new interactions. Learners interact with their customers and find new ways to engage people in reading; they interact with their collections and test fresh approaches to promotion and display; they interact with their colleagues, especially fellow librarians in other countries. What would such an experience offer you, and why might you want to undertake it? The fundamental value in taking interActive is that it starts with readers. If we want to make a library service more relevant to more people, and make the most of the unique range of the library collection, then answers can be found by turning right around and looking at the li­ brary, and at books, from the reader’s point of view. If we start with readers as our focus, rather than books, authors or classification systems then it opens up some practical possibilities for fundamental change that can make a measurable difference. A reader­centred app­ roach to library display, promotion and layout can increase loans and widen membership. The first module of interActive introduces the key theories that underpin a reader­focused approach to li­ brary practice and looks at the place of the library in the wider culture of books and reading. You will consider the fundamental role that libraries take in influencing readers’ choices. Concrete examples of projects and promotions show how starting with the reader offers you a different approach to library work. You’ll make a practical start by undertaking two projects that will pro­ vide you with some flexible and sustainable resources for the future. The second module looks at the potential that libr­ aries have to actively bring readers together in different ways. It shows how their reading experiences can be used as a resource in libraries. You’ll create opportunities for readers to share their reading passions and exploit the dynamism of the library collection. You will consider how to capture readers’ enthusiasm for a book in a written review and link readers online with those in the library. Methods of effective targeting are introduced as a tool for you to widen access to your li­ brary collection. The project you undertake will leave you with a legacy of relevant experience and opportunities for future development with readers and colleagues. The third module works across the range of the li­ brary collection. It helps you build on the key strengths and unique purpose of the library. It looks at practical ways of exploiting the full range of the collection in order to help readers choose more widely. You’ll get experience of how focusing on the reader makes a fundamental difference to the way you select and display books. You’ll try out a new approach to themed promotions. This module introduces an important range of evaluation tools so that you can measure the impact of your reader­centred work and how it influences readers. Module four examines how the organisation of a li­ brary space affects the way people use it. You’ll make an objective analysis of your library space with the help of customers and find quick ways of using existing resources to improve its appeal. You will compare and adapt retail solutions to the library situation to increase its attraction. You will be creating or adapting and managing a showcase for your library and monitoring its success. Picture 2: Getting started
Síða 1
Síða 2
Síða 3
Síða 4
Síða 5
Síða 6
Síða 7
Síða 8
Síða 9
Síða 10
Síða 11
Síða 12
Síða 13
Síða 14
Síða 15
Síða 16
Síða 17
Síða 18
Síða 19
Síða 20
Síða 21
Síða 22
Síða 23
Síða 24
Síða 25
Síða 26
Síða 27
Síða 28
Síða 29
Síða 30
Síða 31
Síða 32
Síða 33
Síða 34
Síða 35
Síða 36
Síða 37
Síða 38
Síða 39
Síða 40
Síða 41
Síða 42
Síða 43
Síða 44
Síða 45
Síða 46
Síða 47
Síða 48
Síða 49
Síða 50
Síða 51
Síða 52
Síða 53
Síða 54
Síða 55
Síða 56
Síða 57
Síða 58
Síða 59
Síða 60
Síða 61
Síða 62
Síða 63
Síða 64
Síða 65
Síða 66
Síða 67
Síða 68
Síða 69
Síða 70
Síða 71
Síða 72
Síða 73
Síða 74
Síða 75
Síða 76
Síða 77
Síða 78
Síða 79
Síða 80
Síða 81
Síða 82
Síða 83
Síða 84
Síða 85
Síða 86
Síða 87
Síða 88
Síða 89
Síða 90
Síða 91
Síða 92
Síða 93
Síða 94
Síða 95
Síða 96
Síða 97
Síða 98
Síða 99
Síða 100

x

Bókasafnið

Beinleiðis leinki

Hvis du vil linke til denne avis/magasin, skal du bruge disse links:

Link til denne avis/magasin: Bókasafnið
https://timarit.is/publication/245

Link til dette eksemplar:

Link til denne side:

Link til denne artikel:

Venligst ikke link direkte til billeder eller PDfs på Timarit.is, da sådanne webadresser kan ændres uden advarsel. Brug venligst de angivne webadresser for at linke til sitet.